The lead protagonist of Douglas Carter Beane’s Broadway play, “The Nance,” thrives in a world of duality. Nathan Lane’s character conveys infectious mirth onstage, but his rancid self-loathing is so palpable that we leave the Lyceum Theatre on 45th st. shaken by his penchant for self-destruction.
Nathan Lane boosts end-of-era tale
Source: Inquirer.net (September 07, 2013 at 02:49AM)
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Nathan Lane boosts end-of-era tale
Source: Inquirer.net (September 07, 2013 at 02:49AM)
Continue...
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